STONECUBE: The Initial Language of No-Time Consciousness石村塊：無時間意識的初始語言

About this book書籍介紹

This volume follows forty years of Stone Chun Shi’s artistic practice and the emergence of STONECUBE, a visual language concerned with perception, structure, rhythm and consciousness. Based on his 2026 exhibition at Memor Museum in New York, it brings together paintings, archival materials, photographs, interviews and critical essays.本書呈現藝術家石村四十年來的創作歷程，梳理「STONECUBE／石村塊」如何逐步形成一套關於感知、結構、節奏與意識的藝術語言。以他2026年在紐約 Memor Museum 的個展為基礎，書中收錄繪畫、檔案資料、照片、訪談與評論文章。

Repeated units, fragmentation and reconstruction connect each detail to the larger image. Reinterpretations of historical works—including Along the River During the Qingming Festival, A Thousand Miles of Rivers and Mountains and Hokusai’s Great Wave—bring cultural memory into the present. The book also considers Stone’s work across music and moving images, asking how an evolving artistic language can change our experience of time and consciousness.石村透過視覺單元的重複、拆解與重組，探索局部與整體的關係。他重新詮釋《清明上河圖》《千里江山圖》及北齋《神奈川沖浪裏》等經典圖像，讓文化記憶在當下重新生成。本書亦涉及音樂、影像與跨媒介實踐，探討持續發展的藝術語言如何改變我們對時間與意識的感知。